And then Donald Fagen came to the show and he liked it. Our director, Alex Timbers, when we did the Broadway show, had Steely Dan blasting for the entire pre-show. NK: So then we do the show, we grow the amount of Steely Dan references in it and how important they are. JM: ‘Yo dee da doidle dee, the girls don’t seem to care…’ Yeah, it’s “FM.” ![]() NK: And so, for some reason we just immediately glommed on to that and then we wrote “Sweet Rosalie,” based on “FM.” I think we can say that. But we’re cool and we’re hipsters and we’re hepcats of the night.’ ‘You just don’t get us, because we’re a little impenetrable. Nick Kroll: When we were writing the first version of the show, they were on trial for the murder of someone by too much tuna and in their trial, their defense was based around the fact that they were like Steely Dan. ![]() ![]() Take us through how the Steely Dan storyline came to be. Billboard on Broadway Podcast: Panic! at the Disco's Brendon Urie on Joining the Cast of 'Kinky…
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